I deeply enjoy composing and scoring for narrative work, both more traditional-sounding cues as well weirder, or more "out there", cues. For example, both the score for Audible Original's "Daddies" (2022) and "Marrow" (2023) were moody and sparse, with a blend of acoustic and synth sounds. In both scores, I explored the blend of traditional and distorted instruments, as well as how to blur the traditional line between what is 'composition' and what is 'sound design. Additionally, "Marrow" was written to be episodic, and so the score is an exploration of theme and variation.

Additional samples here include cues written for On Air Fest 2024 and podcasts. I write and record using both real and virtual instruments.

For a selection of my non-narrative original compositions and music performances, please visit this page.

For more music and audio production work, including my work on podcasts, as well as a full list of the albums my playing is found on, please visit my Audio Portfolio.